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lack of further identifying information, this
young man has been called Son Leonard. The full
story of the Leonard family and their possible
relationship to Hannah Rich, the owner of the
album in which this and other Leonard photographs
appear, is told on this website in the text
accompanying little Belle Leonard. For centuries children were
portrayed in paintings, and even in photographs,
as miniature adults. This boy, however, is
clearly a boy, and his hands suggest he is not a
very old boy at that. His pose - in the same
fringed chair both his mother and father are
photographed in - is curiously relaxed. Perhaps
there were practical considerations for his
posture: since a subject had to sit quietly for
many seconds to expose the photographic media of
the day, it is possible his pose was chosen so he
could maintain it for a sufficiently long time.
He is wearing a
long frock coat - very grown-up - on which the
buttons look disproportionately large. On the
other hand, the tie at his neck is not a true
necktie or cravat, but looks like a piece of
ribbon, and would be suitable for a childs
outfit.
Behind Son Leonard
is a painted theatrical backdrop. What appear to
be holes in the carpet are, it seems, flowers,
though even high magnification doesnt
provide good detail.
This picture, like
the other photographs in the Leonard Family
series, was taken by the Beardsley Brothers of
Ithaca, NY, on September 6, 1865.
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| Please Note: In 2005 this
album came into the loving care of Hannah Rich
Peters and William Blakely Peters
great-granddaughter, Carolyn Flanders McPherson,
and is presented here for the first time. For
more detailed information on the photo album and
its contents you may view the introduction here. Patricia
and Carolyn have attempted to identify all
persons in the album and learn more about them
through research of various records. If you can
help us identify or add further information to
this photo, please contact:

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