Cosyn Gerritsen van Putten:
Posting of an article that
appeared in
de Halve Maen (the Journal of
The Holland Society of New York),
Vol. LXXX
(Summer 2007),
It is posted here courtesy of The Holland Society of New York and Firth Haring Fabend.

by Firth Haring Fabend
Little is known about
the craft of the wheelwright in


In the seven volumes of Fernow’s Records of New Amsterdam covering the years 1653-1674 only two references to wheelwrights other than Cosyn are found, and both are in the 1660s when the population of the little community was growing at a fast rate. Janny Venema found four wheelwrights in Beverwyck in the period from 1652 to 1664, one of them a master. One is mentioned in the Esopus.2
The
area served by a wheelwright in early eighteenth-century
Why
did Cosyn emigrate to
In
1629, four years before arriving in
The
wheelwright in seventeenth-century
Cartmen
and porters needed the wheelwright. Farmers were dependent on him to make their
dung carts, wagons, wheelbarrows, ploughs, and harrows—and to repair them. And
not only the farmer, but every freeholder with a garden plot had a need for a
cart and a wheelbarrow and for at least some of the others items for breaking
ground and planting it. In other words, a man who could master the
not-so-simple challenge of building a wheel had a captive customer base in
Cosyn
Gerritsen did well, indeed. His bouwerie on the Manatus Map consisted of 34
morgens of land, about 68 acres, in the area between today’s
Van Twiller’s house on this land was built for him by Dutch West India Company carpenters in 1633 when he arrived to take up his post as Director of the colony. It must have been a crowning moment of pride for Cosyn to come into possession of this property of the former Director, although we can believe that there was some promise that he should come into it, made before Van Twiller died, for on 17 July 1664, Jeremias van Rensselaer wrote to Oloff Stevensz van Cortland, his father-in-law: “in my opinion it would not be bad if you could make a satisfactory agreement with Cosyn Gerretsz about the land of van Twiller.”6
The
house stood at the corner of today’s
Wheelmaking. Wheelmaking is an ancient craft. According to wheelmaker Don Peloubet, in correspondence, the earliest wheel was probably not much more than a length of log with some sort of axle. Over time, this developed into a solid wheel make of planks cut into a round shape and pinned together, the axle turning with the wheel. The further development was the spoked wheel, whose design today has changed little since ancient times.
The
Assyrians had carts with wheels containing six spokes as early as 1680 B.C., according to Howard M. Dubois, a
prominent nineteenth-century wheelmaker in
The
complex art and skill of wheelmaking was passed down from fathers to sons, or
master wheelwrights (or journeymen) to apprentices. In 1850 in
The
Craft of the Wheelwright. To start from the beginning of the process,
the choice of the proper timber was of first importance. A wagon or a plow had
to last a long time, and this required using the right timber for the job, and
properly seasoning it. In
It mattered when the tree was felled. Cosyn Gerritsen would have known that an oak cut down in the middle of winter dried well, the sap becoming almost as hard as the wood. A common practice was to fell a tree in winter, but leave it in the woods till spring, when the bark could be easily removed with a special tool called a bark spud and rolled and stacked in cords for sale to a tanner. The ever-frugal wheelwright sold the branches for cordwood and the boughs and twigs to bakers for their ovens and to potters for their kilns.12 (See Figure 5.)

After
he identified a tree he wanted, the wheelwright had to arrange for it to be
felled by woodcutters (if nature had not already felled it), then sawed into
manageable lengths, hauled onto a timber carriage, and conveyed back to his
shop. Loading the timber onto the carriage took a Herculean effort involving
laying skids on the ground from carriage wheels to the tree pieces, chaining
the pieces to the wheels, then rolling or sliding the cut logs down the skids
onto the carriage with the help of levers and man power. Bailey explains how
the sharp hooked ends of iron levers would be inserted into the pieces of the
trunk and of large branches and poles inserted into the levers’ ringed ends to
maneuver the timber about. (See Figure 6.) This work
was best done in the summer when the ground was dry and hard and could support
the weight of the timber-laden carriage, but winter, when the sap had dried,
was the best time for sawing it into boards and usable pieces.13

In the case of a tree brought whole and uncut, green and sap-filled, to the shop, Sturt describes the moment when the sawyers came to his yard to open it: “The wheelwright was most eager to know how it looked, that heart of ash or oak or elm, of so many decades standing, which no eye had ever seen before. Lovely was the first glimpse of the white ash-grain, the close-knit oak, the pale-brown and butter-coloured elm.” Lovely, yet problematical: “Would it dry into hard tough timber? Was the grain as straight as had been hoped? And that knot—right through one plank, how far did it go into the next? Every fresh tree, as the sawyers cut out and turned over the planks, at last gave rise to questions like these.”14
The
wheelwright next had to make decisions about how the timber should be sawn and
the best lengths it should be sawn into. He was guided in this by the necessity
of choosing the best wood, without knots or flaws, for the bottom framework of
the wagon. The bottom then gave the dimensions of the planks to be sawn. For
the special curved timbers suitable for specific parts of the wagon the master
wheelwright ever kept out a sharp eye. If he noticed that a particular piece of
ash, say, had the shape of a wagon shaft, he marked it off for the right length
and then had the sawyers split it from end to end, so that there were two
curved pieces, one on either side of the saw, both suitable for shafts.15
Seasoning the wood had to take place as soon as the boards were cut, before they could warp. DuBois wrote that timber must be piled for seasoning where air, free from dampness, could freely circulate around it, and it must never be stored anywhere near a horse stable, he cautioned, for the ammonia from the manure would “kill” even the most durable of timber.16
What
sort of buildings, accoutrements, and tools might Cosyn Gerritsen have needed
to conduct his wheelwrighting business at the end of “Cosyn Gerritsen’s

In this shop, a huge wheel is set up against a rear wall. Its hand crank is used to power the lathe, the wheelmaker’s all-important tool for turning hubs and other cylindrical objects into the forms he needed. Even today, as Don Peloubet wrote to me, woodturning lathes are still operated the same way as Cosyn operated his lathe, by foot, with chisel-like woodturning tools held against a toolrest to provide control.
The “furniture” in the shop would have included worktables and benches (wheelhorses, hub cradles, and spokeholders). The hand tools Cosyn would have needed were adzes, augers, axes, boring tools for making the mortises, calipers, chisels, clamps, drawknives and spokeshaves for making spokes, files, mallets, mauls, levers, lever hooks for getting the spokes into the rims, planes, saws, a “Samson” for applying the iron strakes to the wheel, timber jacks, tree markers, and “spuds” for peeling bark from felled timber. For very large wheels, he needed a wheel pit made in the floor of the shop, as in Colonial Williamsburg. And he needed a sawpit, the kind where a nine-foot saw was manned by two sawyers, one on top, and one (the unlucky one who had to endure the rain of chips upon his head and other discomforts) down in the pit. The sawpit would have been out in a field, away from the shop, as it is at Colonial Williamsburg, away from the complaints and curses of the put-upon sawyers. (See Figure 8.)


It seems clear that the occupation of wheelwright required a considerable outlay of capital for tools and equipment. Moreover, since the wooden wheels had to be rimmed in iron, for protection from the terrain, Cosyn either had to have had a smithy operation on his premises, or to have gone nearby for this service. And since wagons and other conveyances made of wood had to be painted to preserve them, he would have to have had a painting operation. (Two coats of lead paint were recommended.) Again, this was a capital-intensive occupation, not the least of which was the opportunity cost of inventorying the seasoning timber. Some wood had to be seasoned for as long as ten years.
Cosyn’s Workers. Apprentices, after a year or two, might be equal to making and painting a wheelbarrow, but to learn the whole trade, according to Sturt, “seven years was thought not too long.” Sturt’s father and Sturt after him employed eight “skilled workmen or apprentices, eight friends of the family.” Aside from the reference cited above regarding Cosyn’s apprentice Albert Cornelisen, there are few clues in the records as to how many helpers he might have employed. In 1642, an employee took him to court to obtain past wages. It would have been normal for Cosyn’s first son-in-law, Herman Theuniszen van Zell in Munsterlt, the husband of his daughter Grietje Cosyns, to have worked for him. But if so, Herman did not last at wheelwrighting. He apparently chose to farm for Augustyne Heermanns rather than to persist at the exacting occupation of his father-in-law.17
Cosyn’s
more capable and more ambitious second son-in-law, Jan Pietersen Haring from
Other employees of Cosyn’s were Ryck Hendricksen, whom he went to court to force to honor a contract to saw timber for a wainscot, and Bastiaen de “Ramacker,” the Dutch term for wheelwright, whose land adjoined Cosyn’s property. Bastiaen may, on the other hand, have been a competitor. When Cosyn went to court to testify for his friend Sybout Claasen from Hoorn, a carpenter, in the matter of a disputed debt involving six planks and a half-barrel of beer, Cornelis Lambersen Cool taunted Sybout by saying he could get planks “from Harmen Bastiaensz. whenever I please.”19
Once the wood was seasoned, the next stage of the wheelmaker’s work began, cutting it into the shapes and forms he needed. “No needs,” according to Sturt, “can have been more exacting or diverse than the old-fashioned wheelwright’s.”20 From experience, a sense of proportion, and an understanding of the laws of mechanics and mathematics, Cosyn knew, for instance, that a hub, also called a nave, with a diameter of 4.5 inches had to be 7 inches in length. If the diameter was 7 inches, the length of the hub would have to be between 9 and 10 inches. Finally, iron bands or hoops were applied to the ends of the hub to strengthen it. In the case of the 4.5-inch diameter hub, a popular style, the diameter of the front band would be 3 and 1/8 inches, and the diameter of the back band would be 3.75 inches. Bands made smaller than this formed a “very weak foundation upon which to build,” because they exposed too much of the end grain and together with the leverage of the spokes, would crack when subjected to straining or thumping on a rough roadway.21
Next the hub had to be mortised to accept the spokes. According to DuBois, there were few more difficult things to do mechanically than the proper mortising of a hub, which required deciding the number of mortises needed, their relative size compared with the hub’s diameter, the manner in which the wheel was to be driven as regards ‘dish,’ and the amount of “brace” (dodge or stagger) the spokes are to have (one-half inch is recommended for best results. More puts a strain upon the tenon in the rim).22 The Oxford English Dictionary explains dish: “The spokes are inserted not at right angles, but with an inclination toward the axis” of the hub, so that the wheel appears to have a dish-like concavity on one side. The purpose of dishing the wheels was to reduce the stress and strain on them caused by the swaying gait of the horses or oxen.
Bailey has described the complicated process from hub to axle: “First, the chunk of well-seasoned elm chosen for the nave [hub] is turned on the lathe. Then the blacksmith will apply the iron nave hoops that bind the nave for strength and safety. Next, the mortises to take the spokes are cut into the nave. Now the spokes can be shaped and the tenons cut for the inner ends to fit into the nave. The spokes are all driven into the nave before the shoulders for the tongues on the outer ends of the spokes are marked off. Then the tongues are shaped to fit into the felloes. . . .Two holes are cut into the concave side to take two spokes for each felloe, and another hole at each end of the separate felloes to take a wooden dowel to make the joints that will form the felloes into a circle. Assembly of these wooden parts will show how much a wheelwright sets store on absolute tightness of joints. One further job is to bore a hole through the nave center to take the iron ‘box,’” the box being the sleeve through which will pass the axle, which in the seventeenth century was made of wood, with a leather sleeve or iron banding for wear resistance.23
Every wheelmaker, according to DuBois, knew that the fewer mortises the stronger his wheel. Wheels 4 feet 8 inches high and 5 feet high would have between 14 and 16 mortises with spokes of 7/8 inches to 1 and ½ inches. Wheels of 3 feet and 3 feet 8 inches would have between 10 and 12 mortises, with spokes of 1 and 5/8 inches to 2 and 3/8 inches. Using fewer mortises allowed more strength in the hub, less danger of the hub cracking, tenons more in proportion with the width of the spoke, and more surface to hold the tenon before meeting at the center. “To secure these requires that the size of the mortise relative to the diameter of the hub be thoroughly understood.” A nineteenth-century mortising gauge, like the simple wooden gauge used for centuries to measure spokes, is reproduced in Figure 9 showing the greatest amount that can safely be taken from the hub by mortising.

The spoke of a wheel has a tenon, shoulders, a face, a back, a throat, a body, and a point, and all of these parts must be in proportion to each other so that the wagon will bear its required load. Again, this is why, undergirding the wheelmaker’s art, had to lie a foundation of mathematical mechanics to enable him to understand the importance of the proportions.24
In addition to the technical aspects of wheelmaking, the artisan had to take into consideration his customers’ particular needs, which depended on the nature of their soil, the grade of their land, the weather in their area, the power of their horses, their own “lifting power” and that of their workers, and, the particular ruts in their lanes. In fact, ruts ruled. The wheelmaker had to get the rear wheels of a wagon to “follow” or track the front wheels, that is, to travel in the same ruts. “One inch of variation was allowed, no more,” for a particular lane could not be traversed if the wheels were too wide or too narrow to fall into the lane’s long-established ruts, which were often so deep as to come up to the hub and higher.25
Once the spokes were inserted into the hub of the wheel, the wheelmaker turned to the rim or felloe. In the early wheelwright shops, according to Peloubet, the felloe or rim sections were cut “from rough planks with a felloe saw, a type of frame saw with a narrow center blade that cut on a curve. A felloe pattern was used to mark the planks for each size and type of wheel with each section covering two spokes. After cutting, the inside surface of the felloes were smoothed with a compass plane and the edges rounded or chamfered with a spokeshave. When the wheel spider (hub with spokes installed) was completed, the distance between spokes was determined by transferring measurements directly from the spider . . . or by the trial and error method of walking the wheel circumference with dividers. As advances in standardization were made, tables were developed that gave these spoke distances for various size wheels.”26 In the seventeenth century, there were no such handy tables, and Cosyn would have had to use his common sense and his experience, as well as his simple wooden gauge, to judge the sizes he needed.
Finally, the finished wheel was fitted with an iron tire. Cosyn’s technique was to nail strips of iron, called strakes, onto the rim, as he would not have been familiar with a technique developed later that involved dropping a red-hot prefabricated iron hoop on to the wheel with the help of iron dogs. The hot wheel was then doused with water to shrink the iron tightly to the wood. (See Figure 10.)

All said, it seems clear that wheelmaking was not for the frivolous or the faint of heart.
Who
was Cosyn Gerritsen van Putten? Cosyn deposed as to his age in several
documents. Thus it can be estimated that he was born in about 1606, in the
small
Baptismal
sponsors also give clues to the importance of family and friends. On
Aert
Theunis van Putten was murdered by Indians in 1643. His widow, Susannah
Schunenburgh, then married Cosyn’s friend, the carpenter from
Exactly when Cosyn
Gerritsen from Putten in
However,
because Cosyn’s bouwerie appears on the Manatus Map of 1639, we can assume that
he was in
James
Cozine has suggested that Cosyn as a young man was likely conscripted to
serve in the Dutch Army under the local lords during the years of war with
Spain that were fought on Gelderland soil or nearby. “We know that the Van
Rensselaers in the previous generation,” he writes, “were called upon to muster
a company of 100 soldiers, in the practice of the day for noble families to
form military units.” He goes on: “The Spanish were on the offensive between
1621-1625, then in March 1626 the Dutch increased
their troop strength to 55,000, and in 1627 cleared the Spanish from the
Acherhoek region of
Dr.
Nouwt found the marriage banns of a Cosijn Gerrits, “son of the late Gerrit
Jansen, and Maeryken Evertsen, daughter of the late Evert Reyersen, both of
Putten,” recorded in the
Another
intriguing connection: On 18 March 1640, Cosyn gave a power of attorney to his
brother Aert Gerritsen to collect in his name from the administrators of the
estate left by his aunt Susanna, “in her lifetime residing at Hoorn, the sum of
one hundred Carolus guilders Holland currency, belonging to him, the principal,
as a legacy bequeathed by his aforesaid aunt.” One Carolus guilder equaled at
this time thirty stuivers, ten more than a regular guilder, so this was not a
legacy to be sniffed at. The Indians received sixty guilders worth of trade
goods for the whole
Next,
Dr. Nouwt discovered the marriage banns of Aert Gerritsen, son of Gerrit
Jansen, and Geertyen Ellertsen, daughter of Ellert Toenissen, both of Putten,
on
Grietje
Cosyns’ second husband, Jan Pietersen Haring, also came from
In sum on this point, certain last names drawn
from the records of New Amsterdam and the Reformed Dutch Church in New York, as
well as from the records of Putten and Hoorn, are connected to Cosyn Gerritsen
van Putten of New Amsterdam: Claase, Claasen, Elefersen, Elefersz, Ellertsen,
Evertsen, Haring, Reyersen, Reynier, Toenissen, and Teunissen among them.
Further examination may shed light on an even more coherent and durable family
network than one suspects--and lead to further insights into the importance of
family and friends to a sustainable existence in
Cosyn
is heard from no more in the records of
Notes
4. References to Van Twiller’s land in Phelps-Stokes, Iconography, are in vol. 6, pp. 104, 114, 129, 157, 161-162, 164, 187, 190-191. In addition to this farm, he acquired over his short stay in New Amsterdam four islands (Roosevelt, Wards, Randalls, and Governors), as well as land on Long Island and on the upper east side of Manhattan. Phelps-Stokes describes Bouwerie #10 as of 250 acres. The deed says it was 200 acres. See Jaap Jacobs, “A Troubled Man: Director Wouter van Twiller and the Affairs of New Netherland in 1635,” New York History (Summer 2004), pp. 213-232.
8. Howard M. DuBois, “Applied Mechanics in Wheelmaking,” in Don Peloubet, ed., Wheelmaking (Mendham, NJ, 1996), p. 5. Hereafter DuBois.
9.
Don Peloubet, ed., Wheelmaking: Wooden Wheel Design
and Construction (Mendham, NJ, 1996), “Introduction,” n.p. The publisher of
Wheelmaking, Astragal Press in
10. A. J. F. van Laer, New York Historical Manuscripts: Dutch, Vol. II [61n], p. 139; hereafter, NYHM Dutch. Sturt, p. 17.
11. DuBois, pp. 5, 6-7, 26
12. Jocelyn Bailey, The Village Wheelwright and Carpenter (Aylesbury, Bucks, U.K., 1975), p. 10. Hereafter Bailey.
13. DuBois, p. 28; Bailey, p. 10.
14. Sturt, p. 29.
15. Sturt, pp. 30-31.
16. DuBois, p. 5.
17.
Sturt, pp. 17, 19. RNA, vol. 3, p. 43, refers to
Augustyn Heermans’ “farmer Harmen Teunissen,”
19. .A. J. F. van Laer, NYHM Dutch, vol. II, p. 219; and NYHM Dutch, vol. IV, p. 156.
20. Sturt, pp. 30, 19-20.
22. Ibid.